Each form r will reflect a gross distribution box 1, taxable amount box 2a, and employee contributions box 5 equal to the applicable period covered by the . London, 1st April – IFPI today publishes its annual Recording Industry in The Recording Industry in Numbers (RIN) is the essential guide to the global. In fact, the IFPI reported $15 billion last year for , and for too. numbers stated in its ‘Recording Industry In Numbers, Edition’.

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What is clear is that downloads and subscription growth do not co-exist. So on the surface that appears to actually be three years of no growth. If, however, we take the constant currency approach we see 3.

The simple fact is that the majority of music buyers still buy CDs. Digital grew by 4. I want to help people not waste energy making the same mistakes others have, and to also benefit from the insight and experiences of the super smart people I interviewed in the book. As we reported then, the key takeaways are that UMG still leads the pack, WMG has grown faster than the other majors while artists direct were the single biggest growth driver in The number of telco partnerships live globally more than doubled in toup from 43 the prior year.

Europe saw growth for the first time in 12 years and the market also increased in value in North America and Latin America. The US remains at the head of the top 20 markets table and saw consolidation in ; the top six markets in Europe — France, Germany, Italy, Netherlands, Sweden and the UK — all saw growth.


Whereas in Sweden the music streaming market share is 70 per cent of the overall recorded music market, in Germany just 6. Scandinavia is the music streaming mecca of the world.

In the new music industry rln balance of power lies with the fans with themselves. But when we are talking about global markets comprised of many local companies e. Whatever its issues though, there is no denying that K-Pop is central to the resurgence in South Korean music revenues.

A better resolution is needed for them to be better off and have a sustainable career. By continuing to use this website, you agree to their use. Thus, we can see that the landscape of the digital music markets is highly diverse. Since 21 markets are included in this category, we should further distinguish different markets.

The recorded music industry is on track to become a streaming industry in all but name. Music streaming is on the rise.

Ifpi rin 2015 pdf 1099

The IFPI today announced that for the first time ever growth in digital trade music revenues outpaced the decline in physical trade revenue. Low digital market share and low music streaming share Source: Shazam was another beneficiary, ufpi the iPhone app finally giving Shazam relevancy and context it had long lacked.

At the same time physical and download sales are declining. Fill in your details below or click an icon to log in: China is category for itself with a highly developed streaming market that corresponds with a remarkably high share of ad-supported revenue of almost 70 per cent.

This created an unprecedented window of opportunity for competing digital music services, suddenly they could break into the previously impenetrable iTunes ecosystem. An in-depth case study on the prospects for the development of a licensed business market in China — a market of huge untapped potential long stunted by piracy, where the landscape is changing.


Streaming has overtaken download revenue in no fewer than 37 markets with subscription revenue now worth 23 per cent of the total digital market. Jobs set digital music free.

Music Streaming Revisited – the International Music Streaming Market | Music Business Research

Streaming revenues have now overtaken download sales in no fewer than 37 markers. This site uses cookies. Federal register extension of time to file certain.

Rights holders have not been entirely happy though, including Lee-Soo Man founder of K-Pop power house SM Entertainment who claimed that 1 million tracks consumed on MelOn do not cover the costs of making a music video for a single.

This holds also true for countries with a well developed music streaming segment, but a still relevant physical market such as in Croatia or in countries with an essential music download market segment such as in Australia and Canada.

Analysis of the shift from ownership to access to music, increasing consumption on mobile devices, and comparative consumption from licensed and unlicensed sources. London, 14th april revenues from digital music services match those from physical format sales for the first time, according to ifpis digital music report, published today.