Journey Back to the Source: Alejo Carpentier: Viaje a la semilla (; Journey Back to the Source), for instance, set in 19th-century Cuba, is told in reverse. The Cuban novelist who invented the phrase “lo real maravilloso americano,” Alejo Carpentier considered “Journey Back to the Source” (“Viaje a la semilla”) to . Journey Back to the Source Analysis and Quiz According to Carpentier, language is an artificial, alienating construct, almost like structured.

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Then, copy and paste the text into your bibliography or works cited list. He begins using baby-talk. So they sit out the day. In Spanish the title of the story, “Viaje a la semilla,” literally means “journey” or “voyage” to the “seed,” which is feminine.

Unlike Carpentier’s later work, where the “marvelous” accrues from the juxtaposition of different realities, this story depends on a magician and an explicitly literary trick. He finally renounces the light, and all grows dark, warm, moist again. For a more extended example of its kind, see his novel, The Kingdom of this World El reino de este mundo. Retrieved December 26, from Encyclopedia.

Critics dispute whether the conclusion represents a glorious return to nature or a dismal annihilation of the human race. Thus, gradually, delightedly, the reader realizes that he is moving not forward but backward in time. Earlier, along with his male friends, he has visited a dance hall. This site uses Akismet to reduce spam.

It’s Magical Realism: Journey Back to the Source

When the doctor shakes his head to indicate that aleejo is no hope, the dying man feels better at once. He forgets his own name, and before his christening exists in a world of touch alone. With one or two minor exceptions, Carpentier delivers this chronological illusion very successfully.

Nor does the story propose as Carpentier’s later work does that the man’s magic is real in his world though not in ours: He is given extra pastries one day, then sees servants carrying a coffin into the house. Outside the house, before the old man acts, a rich, baroque, typically encrusted description establishes the simultaneity of decay and renewal.

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Journey Back to the Source Viaje al semilla was written inbut first published in in Aleoj, Cuba as part of the collection entitled The War of Time — Guerra del tiempo This was a group of stories all told in radically different styles, first published in English by Victor Gollancz in and translated from the original Spanish by the Bloomsbury Group diarist Frances Partridge.

Then the natural world around him turns back to its roots and origins, leaving a blank where his house once stood. He thus supplements the other journsy we have just been told and returns us to our own forward time.

In the penultimate section of the story this reversal of time accelerates very rapidly. Friends take their presents back thw and Don Marcial lives in his house alone as a bachelor.

Once the house is reassembled, in the room where the marquess lies the tall candles grow longer and longer until a nun puts them out with a light. While accounts of the story emphasize its portentous allegory, the tale itself, the reader’s journey, is ironic, witty, and fun.

He feels under caepentier weather after celebrating his minority with friends. Although the story includes other Afro-Cubans, he is not among them. The story is an amusing meditation on time and causality — but it is situated within a rational framework of normal temporality.

Journey Back to the Source by Alejo Carpentier PDF

They get dressed up in old clothes from the attic and hold a musical party where he flirts with a young girl. First published inthe same year as Jorge Luis Borges ‘s Ficciones and collected in War of Time”Journey Back to the Source” starts from an idea so simple and so universal that a six-year-old has uttered it, “What if we could live our lives backwards? In a reversal of time, the house is re-assembled, and the man enters the house where Don Marcial, its owner, is lying on his death bed.

The main story starts with the death of Don Marcial and finishes with his birth.

The principal conceit of this tale is that it is a narrative in which time goes backwards. Once he has reset time’s direction and lit the lamps, the Afro-Cuban sorcerer and his magical reality vanish into the text.


Journey Back to the Source

Since “seed” in English denotes semen, which is zource, spurting out to join the egg, it cannot be used to describe the trip back up the vaginal canal to our source. He has taken a mistress following a nack of mourning after the death of his wife. He is oppressed by the legal documentation involved in the sale of his house.

Carpentier in Depth Spanish video documentary and interview with Carpentier Yet the ironic balance is maintained: The next day the workmen return, but the house they were to demolish is gone, the statue of Ceres carted off and sold.

A mumbling old black man roves the ruins of a dilapidated colonial mansion being demolished by workmen. Journey Back to the Source — critical commentary The principal conceit of this tale is that it is a narrative in which time goes backwards.

Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia. He visits his father who is ill in bed. The house and its contents grow younger. Modern Language Association http: An old Negro sits in a garden where he watches an ancient house in the process of being demolished.

Though the new growth may be unrecognizable, seeds in clay and water do come up again. With its search for illusory origins, its loving descriptions of colonial luxury, its contrast between past and present, its typical rather than individual protagonist, and its account of the material decline of an effete aristocracy, the story adumbrates much of Eource later writing.

When he leaves the seminary he enters a period of spiritual doubt and emotional crisis.